Sounds only

Oktober / November 2011

DEGEM CD 10: Replace EDITION DEGEM 01
Kuratiert von / curated by Marc Behrens

01 Denise Ritter; Da Capo; 4:58
02 Nicolas Wiese; The Revolution Will Have Been YouTubed #01; 6:24
03 Matthias Ockert; frutas transversales; 4:06
04 Marcus Beuter; auguries of innocence; 5:04
05 Nikolaus Heyduck; Schwarm; 4:53
06 Sam Auinger; Rheinharfe; 5:02
07 Bernd Leukert; Le Rêve; 4:16
08 Sciss [Hanns Holger Rutz]; Leere Null; 5:01
09 Jan Jacob Hofmann; Hrafntinnusker; 5:19
10 Frank Niehusmann; uData; 5:00
11 Michael Harenberg; Virtual Caissac 11; 5:00
12 Kirsten Reese; Kurzes Hörstück über das Ende des Kapitalismus; 7:03
13 Ludger Kisters; Der Garten; 5:00
14 <SA/JO> [Sabine Schäfer und Joachim Krebs]; MikroklangMilieu BLAU aus MicroSonical Shining Biospheres No.1; 10:34


Interview: Marc Behrens im Gespräch mit Michael Harenberg

Marc Behrens
www.mbehrens.com

Born in Darmstadt, Germany, in 1970.
Marc Behrens works on several cerebral and physical levels.
His works mainly consist of concrete electronic music, installations, the occasional photograph or video. Recent activities include field recording trips to remote western China and the Amazon rainforest, founding an incorporated company as a social art work, and staging a rite of passage for an investment banker.
Behrens has performed and exhibited extensively across six continents, and developed collaborations with Jeremy Bernstein, Ana Carvalho, Bernhard Günter, Nikolaus Heyduck, Francisco López, Paulo Raposo, Achim Wollscheid, among others.
2006–2010 Marc Behrens was a lecturer at the Academy of Fine Arts, Saarbrücken, Germany (HBKSaar), and 2007–2009 at the University of Applied Arts Darmstadt-Dieburg, Germany.
He is a member of the Frankfurt Association for Contemporary Music (FGNM), the German Association for Electroacoustic Music (DEGEM),Granular (Lisbon), subscriber to the Electronic Music Foundation (EMF), and a citizen of The Kingdoms of Elgaland~Vargaland. 2003–2007 he was co-director of the Portuguese music label Sirr.

Hier werden Produktionen aus Archiven der Elektroakustischen Musik, wie z.B. dem Archiv der DEGEM oder dem IDEAMA- und dem DEGEM-Archiv des ZKM, dem Archiv des elektronischen Studios der TU Berlin sowie anderen internationalen Archiven und Dokumentationen elektroakustischer Kunst unter verschiedenen Aspekten präsentiert.