Studioforum

Oktober 2014 / November 2014

Aktuelle experimentelle Elektronika, kuratiert von Yair Elazar Glotman
A favorite tracklist of experimental Electronica, curated by Yair Elazar Glotman

01. Death Ambient / River Tigris / 3:59
02. Alva Noto and Ryuichi Sakamoto / microon II / 2:39
03. Chris Watson / Chihuahua / 4:34
04. Aaron Martin / Wires of Glass / 3:53
05. Oren Ambarchi / Alma / 5:37
06. Aspec(t) / Intorno Al Drago / 4:02
07. Christian Fennesz and Ryuichi Sakamoto / Cendr / 3:10
08. Angel / Paradigm Shift / 19:22
09. Yair Elazar Glotman /Tintinnabuli / 4:03
10. Alva Noto / R-Re-Repeat (+ I-Sound) / 0:53
11. Machinefabriek / Kreukeltape / 4:41
12. Arturas Bum_teinas / Boletus Satanas / 9:39
13. Colleen / Sometimes on a happy cloud / 1:55
14. Ben Frost / The Carpathians / 2:57
15. Thomas Kaner / 41_24_n_2_10_e_(hour_twelve) / 6:07
16. Ran Slavin / Losing coordinates in the Mediterranean Drift / 15:24
17. Yair Elazar Glotman / List to Be Forgotten / 10:46
18. Yair Elazar Glotman / Transmission From an Unborn Failure / 7:48
19. Blessed Initiative / and_saying_say_it_to_i_have_i_nothing_am / 3:33


Yair Elazar Glotman is a student in the art and media program of the Universität der Künste Berlin focusing on sound installations and sound sculptures. Born in Tel Aviv, he previously studied classical and jazz double-bass at the Jerusalem music academy and in the classical department at the Universität der Künste Berlin. He also took part in courses and performances within the KlangZeitOrt Institute for New Music Beriln (electroacoustic composition and electronically processed improvisations). Glotman performed an original composition at the next_generation 4.0 festival for electroacoustic music in ZKM (Center for Art and Media in Karlsruhe). One of his sound sculptures was presented at the Academy of Music Hanns Eisler Berlin.


Elektronische Studios aus ganz Deutschland und dem Ausland werden hier portraitiert und stellen ihre aktuellen Projekte, Forschungsvorhaben und Entwicklungsarbeiten vor. Das Studio-Forum dient langfristig dem Austausch zwischen den Studios als Produktionsstätten vielfältiger elektroakustischer Musik und Klangkunst.